Allison Hrabluik is a Canadian visual artist and filmmaker based in Vancouver, British Columbia, on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh peoples.

Working across video, animation, performance, and installation, her practice explores narrative structures, bodily gesture, absurdity, and the poetics of everyday life. Blending experimental and documentary techniques, her films often focus on repetition, choreography, and the tension between control and chaos.

Hrabluik’s acclaimed short film The Splits (2015), which premiered at Kassel Dokfest, is emblematic of her style—mixing physical performance with rhythmic editing to create a surreal, humorous, and meditative portrait of human expression. She has exhibited and screened her work nationally and internationally at institutions such as the Vancouver Art Gallery, The Western Front, DOXA, Chicago Underground Film Festival, Images Festival, and MASS MoCA.

She holds a BFA from Alberta College of Art + Design (now AUArts), is a Laureate of the HISK, Ghent, and teaches in the Faculty of Culture & Community at Emily Carr University. Hrabluik’s work is included in the collection of the Vancouver Art Gallery, and was nominated twice for the Sobey Art Award. 'Hannah on The High Sea' is Allison's first feature film.